[Dis]Embodied Poetics Performance – Oct. 10, 2014

Eventbrite - [DIS]EMBODIED POETICS CONFERENCE: WRITING/THINKING/BEINGPurple Enso

[Dis]embodied Poetics Conference: Writing/Thinking/Being

Friday–Sunday, October 10–12, 2014
Naropa University Arapahoe Campus, 2130 Arapahoe Avenue, Boulder

We are interested in experiment, activism, performance, the archive, somatic practices, dharma arts, cross-genre, borderlands, the liminal, cross-disciplinary gestures, third-mind collaborations, bricolage, conceptual poetics, the five wisdoms of Maitri, mindful awareness, consciousness, Butoh, biorhythms, neo-benshi, and more.

Once a moniker of our itinerant historical roots as a school, “disembodied” now also reflects the protean in the experiment—how we investigate and torque static limits in form and content and bring forward new questions that both invigorate and challenge the current dialogue in writing today. This includes incorporating embodied poetics: the somatic, the performative, the cellular—open-textured/porous movement between living organisms, such as bodies, languages, texts. For four decades, our rich combination of experimentation, poetics, and contemplative awareness has generated innovation within our community and concentrically beyond.

Writing and Performing [Dis]embodied States of Being: The Poetics of Disability, Movement, Grief, and Sensuality

Friday at 3:30pm Lincoln 4130

Performers: Violet Juno, Shelia Black, Amber DiPietra, Lisa Gill, , and Denise Leto.

As five interdisciplinary artists, we propose a collaborative panel presentation which will involve poetry, multimedia, and cross-genre performance exploring the poetics of embodiment/disembodiment: how different and differently abled bodies move in space and time both on and off the page in relation to movement, language, loss, and sensuality. Through somatic practices such as qi gong, performance art, embodied poetry, meditation, and live writing we will present a kinetic, aural, and literary articulation of these states of being. Within a rigorous investigation into the myth of heroic, virtuosic embodiment in multiple expressive mediums we will explore the unexpected subject: bodies in difference via challenges in physical capacity or social and political presence.

We will ask: How might we enact new meaning in translative states of being within an exacting aesthetic that is capacious enough to address the body in transformation? How can movement strain the “able-bodied” expectation? How can the textual and physical body evoke perspectival shifts in the definition and experience of desire? How can loss, death, breath, and non-breath inform both the dynamism and stasis of writing and performing? In our panel, we hope to surface an emergent discussion of elegy and healing, corporeal disjunct and concord through the prism of multiple genres. In so doing, we will cultivate conceptions of embodiment/disembodiment in which the disparate pieces are not so much reconciled as they are highlighted in a fractured communion of the imaginary.

 

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